Skip to main content

My two pence on Kaththi

Anyone expecting an encore from the Vijay & Murugadoss combination following the success of Thupaaki is sure to be disappointed with Kaththi.

Muragadoss earned his street cred in the Tamil film Industry through movies like Ramana & Ghajini that were lauded for their “intelligence”. After a disastrous 7am Arivu, Murugadoss recaptured his mojo in Thupaaki with his brilliant rendition of the “sleeper cell” network. However, that brilliance seems to have deserted him in Kaththi.

At the heart of Kaththi is one man’s fight against the exploitation by a Corporate Cola Giant in a village in Tamil Nadu. Vijay essays the role of Jeevanandam, an Msc Hydrology graduate hailing from the same village, who takes up the fight with the Corporate Giant. And he also plays a second role, that of Kathiresan, a convict held in Kolkata prison. Jeeva and Kathir swap places through an accident, and the rest of the movie revolves around how each of them overcomes their respective challenge & brings the corporate giant down.

Satish, Samantha & Neil Nitin Mukesh play sidekick, heroine & villain in completely forgettable & unnecessary roles.

Same goes for Anirudh’s music. The songs sound familiar and give you the feeling that they are a remix of Anirudh’s previous compositions. The selfie song stands out, if not for anything, for Vijay’s rendition.

There are a few sequences that are good. Choreography in the Airport song is nice. The mass suicide scene is gripping, as is Vijay’s discourse to the press & media on the social problem that is the center piece of the movie.

My disappointment with Kaththi is twofold: Firstly, the movie is visually unimpressive. There are no standout sequences that warrant repeated viewing. To the contrary, the movie feels like a labored effort that is drab throughout. Secondly, the social commentary is incomplete. Neither is the social problem addressed in detail, nor does the movie offer any kind of solution, be it tenable, preposterous or otherwise.

As I leave the cinema hall, I’m left with the feeling that the makers of this movie are taking the viewing public for a ride by making a populist movie that exploits the plight of our farmers without answering any of the serious questions raised.

Bottom line – One time watch

Overall Rating – 2.5/5

Disclaimer – Views expressed here are personal and do not carry any prejudice to anyone. 

Comments

Popular posts from this blog

Be Wise, Be Nice :-)

A fascinating myth has been propagated for the longest time about nice guys finishing last. The idea is that being nice means being weak, nice equals naive and that being nice, especially in a leadership role, is a major roadblock to success and a recipe for disaster in the corporate world.  Instead, one is repeatedly taught from a young age to relentlessly pursue power, and build authority without yielding an inch... This type of control and command structure may have worked in a transactional space, where teams were mostly executing standardized activitites at scale and the Leader exerted authority through their position and subject matter expertize.  Alas, the world is changing, and this could not be further from the truth now. With rapid changes in the rules of engagement at the workplace, growing "gig roles" across mainstream functions, decentralized / remote working roles, and never-before-seen levels of automation and disruption, there is really no place f...

Kodi - flying high in a brisk breeze!

Kodi  - flying high in a brisk breeze!!  Kudos to Durai Senthilkumar for taking a controversial subject like politics and delivering a non-controversial and engaging mass entertainer. Dhanush has done reasonably well and thankfully this movie is less of a hyperbolic hero worship saga than his earlier flicks like Maari. Emergence of leading ladies driven plots in mainstream movies continues with Trisha essaying what is surely the meatiest role in her career. She has given it a good go, tho her struggle to emote strongly is apparent in some key scenes, including the most pivotal sequence in the second half. Saranya has a slightly engaging role than her typical walk-in-sleep mother roles, but not so much that you would distinctly remember this role from her other roles. Cinematography and music are par for the course and nothing outstanding comes to mind from either discipline. CGI of Dhanush twins interacting is pretty clean. On the whole, Kodi may not be a ...