Skip to main content

My two pence on Kaththi

Anyone expecting an encore from the Vijay & Murugadoss combination following the success of Thupaaki is sure to be disappointed with Kaththi.

Muragadoss earned his street cred in the Tamil film Industry through movies like Ramana & Ghajini that were lauded for their “intelligence”. After a disastrous 7am Arivu, Murugadoss recaptured his mojo in Thupaaki with his brilliant rendition of the “sleeper cell” network. However, that brilliance seems to have deserted him in Kaththi.

At the heart of Kaththi is one man’s fight against the exploitation by a Corporate Cola Giant in a village in Tamil Nadu. Vijay essays the role of Jeevanandam, an Msc Hydrology graduate hailing from the same village, who takes up the fight with the Corporate Giant. And he also plays a second role, that of Kathiresan, a convict held in Kolkata prison. Jeeva and Kathir swap places through an accident, and the rest of the movie revolves around how each of them overcomes their respective challenge & brings the corporate giant down.

Satish, Samantha & Neil Nitin Mukesh play sidekick, heroine & villain in completely forgettable & unnecessary roles.

Same goes for Anirudh’s music. The songs sound familiar and give you the feeling that they are a remix of Anirudh’s previous compositions. The selfie song stands out, if not for anything, for Vijay’s rendition.

There are a few sequences that are good. Choreography in the Airport song is nice. The mass suicide scene is gripping, as is Vijay’s discourse to the press & media on the social problem that is the center piece of the movie.

My disappointment with Kaththi is twofold: Firstly, the movie is visually unimpressive. There are no standout sequences that warrant repeated viewing. To the contrary, the movie feels like a labored effort that is drab throughout. Secondly, the social commentary is incomplete. Neither is the social problem addressed in detail, nor does the movie offer any kind of solution, be it tenable, preposterous or otherwise.

As I leave the cinema hall, I’m left with the feeling that the makers of this movie are taking the viewing public for a ride by making a populist movie that exploits the plight of our farmers without answering any of the serious questions raised.

Bottom line – One time watch

Overall Rating – 2.5/5

Disclaimer – Views expressed here are personal and do not carry any prejudice to anyone. 

Comments

Popular posts from this blog

Baama Vijayam: Omni-relevant classic and crowning glory in KB’s illustrious body of work

Baama Vijayam – Omni-relevant classic and crowning glory in KB ’ s illustrious body of work K. Balachander is a beacon of Tamil Cinema. His movies were set pieces of drama that transcended time and place. He had such a profound impact in the way Tamil movies were made. He did not merely change the film industry, his films created ripples of change in broader society as well. KB was a social revolutionary on his own.  It is fair to say that Tamil Cinema can be grouped into two distinct time periods, B.KB and A.KB, before K. Balachander and after K. Balachander. Such was his impact. Film connoisseurs often say that one of cinema ’ s biggest allure is that cinema is a world onto itself, far detached from the reality that exists outside the movie sets. Make-believe, entertainment for entertainment ’ s sake, larger-than-life, so on and so forth.  In quintessential KB style, his movies broke this imaginary barrier between the reel world and the real world, and provide...

Papanasam - A movie par excellence

Jeetu Joseph's super-hit 2013 malayalam flick Dhrishyam completed its south indian sojourn with its Tamil remake "Papanasam" starring Kamal Hassan releasing on 3rd Jul 2015 (the movie has already enjoyed successful remakes in Telugu and Kannada). Helmed by Jeetu Joseph, Papanasam has an ensemble cast with Gautami, MS Bhaskar, Nivedha Thomas (you may remember her from Jilla & Naveena Saraswathi Sabatham), Kalabhavan Mani, Ilavarasan, Ananth Mahadevan & many others playing pivotal roles in this "family thriller". Kamal plays Swayambulingam, an avid cinema lover, who runs a cable TV network amongst other businesses. Swayambu is a self-made success, with a strong nellai accent & a even stronger penchant to irk Perumal (Kalabhavan Mani), a constable from the local police station who sees no wrong in fleecing the poor. Swayambu is also a caring father to his two daughters & a loving husband. Small, happy family, all four riding a two-wheeler aro...

Be Wise, Be Nice :-)

A fascinating myth has been propagated for the longest time about nice guys finishing last. The idea is that being nice means being weak, nice equals naive and that being nice, especially in a leadership role, is a major roadblock to success and a recipe for disaster in the corporate world.  Instead, one is repeatedly taught from a young age to relentlessly pursue power, and build authority without yielding an inch... This type of control and command structure may have worked in a transactional space, where teams were mostly executing standardized activitites at scale and the Leader exerted authority through their position and subject matter expertize.  Alas, the world is changing, and this could not be further from the truth now. With rapid changes in the rules of engagement at the workplace, growing "gig roles" across mainstream functions, decentralized / remote working roles, and never-before-seen levels of automation and disruption, there is really no place f...