Skip to main content

Kodi - flying high in a brisk breeze!



Kodi - flying high in a brisk breeze!! 

Kudos to Durai Senthilkumar for taking a controversial subject like politics and delivering a non-controversial and engaging mass entertainer. Dhanush has done reasonably well and thankfully this movie is less of a hyperbolic hero worship saga than his earlier flicks like Maari.


Emergence of leading ladies driven plots in mainstream movies continues with Trisha essaying what is surely the meatiest role in her career. She has given it a good go, tho her struggle to emote strongly is apparent in some key scenes, including the most pivotal sequence in the second half. Saranya has a slightly engaging role than her typical walk-in-sleep mother roles, but not so much that you would distinctly remember this role from her other roles.

Cinematography and music are par for the course and nothing outstanding comes to mind from either discipline. CGI of Dhanush twins interacting is pretty clean. On the whole, Kodi may not be a nuanced political drama like Prakash Jha's Rajneeti, but it is undoubtedly among the better political pot boilers to come out of Kollywood.

And for that, I'm truly happy as a die-hard Tamil movie fan.

You can find a version of this review @ matineemoviee.blogspot.in

Comments

Popular posts from this blog

Be Wise, Be Nice :-)

A fascinating myth has been propagated for the longest time about nice guys finishing last. The idea is that being nice means being weak, nice equals naive and that being nice, especially in a leadership role, is a major roadblock to success and a recipe for disaster in the corporate world.  Instead, one is repeatedly taught from a young age to relentlessly pursue power, and build authority without yielding an inch... This type of control and command structure may have worked in a transactional space, where teams were mostly executing standardized activitites at scale and the Leader exerted authority through their position and subject matter expertize.  Alas, the world is changing, and this could not be further from the truth now. With rapid changes in the rules of engagement at the workplace, growing "gig roles" across mainstream functions, decentralized / remote working roles, and never-before-seen levels of automation and disruption, there is really no place f

No Time To Die

*Spoiler Alert*  An extra long goodbye for Daniel Craig as 007.  Craig's time as Bond comes to an end in a manner that's most befitting of his era as Bond. Perhaps more now than ever before, No Time To Die firmly shifts Bond movies away from the "saviour of the world" action thriller genre to "an episode in the life of a spy" dramatic entertainer territory...  Don't get me wrong. All of the global spy thriller staples are here - an impending universal peril brought about by an eccentric antagonist, visually stunning chases through picturesque locales, multiple mini action set-peices leading to a crescendo in some god-forsaken building / island / industrial plant... all of that is present but none of it matters. Really, this movie is made, and seen through the eyes of James Bond, and James Bond only.  And I honestly could not think of a bigger waste of Talent in recent times than Rami Malek's role in NTTD.  With the culmination of this tectonic shift

Baama Vijayam: Omni-relevant classic and crowning glory in KB’s illustrious body of work

Baama Vijayam – Omni-relevant classic and crowning glory in KB ’ s illustrious body of work K. Balachander is a beacon of Tamil Cinema. His movies were set pieces of drama that transcended time and place. He had such a profound impact in the way Tamil movies were made. He did not merely change the film industry, his films created ripples of change in broader society as well. KB was a social revolutionary on his own.  It is fair to say that Tamil Cinema can be grouped into two distinct time periods, B.KB and A.KB, before K. Balachander and after K. Balachander. Such was his impact. Film connoisseurs often say that one of cinema ’ s biggest allure is that cinema is a world onto itself, far detached from the reality that exists outside the movie sets. Make-believe, entertainment for entertainment ’ s sake, larger-than-life, so on and so forth.  In quintessential KB style, his movies broke this imaginary barrier between the reel world and the real world, and provided biting